Galleries:
Solo shows:
2021 - Game on at Contemporary Work Gallery
2017-2018 - Human Exclusion Gardens at Contemporary Work Gallery
March 25, 2021 - Homemade and Unsurveyed, Scorcher Gallery at Artplay, Moscow
March 7 - April 18, 2021 - LOOKING AFTER THE EARTHLINGS at Zdes na Taganke of Moscow City Galleries Network
September 7-17, 2020 - rfywtkzhbz/канцелярия at 25kadr Gallery, Moscow
July 10-16, 2020 - I have lost a trace of the world at Richter, Moscow
March 28-29, 2020 - COVID-19 at Exhibition Lab Za_shkoloy, Moscow
February 1-9, 2020 - Spring of Dream or Nightmare at ZIL Culture Centre, Moscow
To the point. 2020
Ceramic, wood, feather, acrylic, metal.
2021 - Game on, installation at Contemporary Work Gallery
Between the lines. 2021
Glazed ceramic, wood, acrylic, nylon
Up in the Air. 2020
Acrylic, canvas 30x30cm
'Future is no longer what it was', 2020
Glazed ceramic.
July 10-24, 2020
Я потерял след мира/I have lost a trace of the world
Group Show at Richter, Moscow, Russia
Curator: Irina Shulzhenko
Photo: Ivan Erofeev
'Matters', 2020
Glazed ceramic.
''Lil But', 2020
Glazed ceramic.
On the other side of the wall:
'Unidentified' at 90°, 2018-20
Acrylic, canvas.
'Bait Effect', 2020
Acrylic, canvas.
'SadEx', 2019
Acrylic, canvas.
'Box of issues', 2019
Fabric, ceramic. 28х18х15cm
'Unidentified', 2018-20
Аcrylic, canvas 90x70cm
'SadEx', 2019-20
Acrylic, canvas 50x70cm
'Eruption', 2019-20
Ceramic, acrylic, putty.
Dreamhouse
'Dreamhouse', 2020
Collaborative work with Vadim Mel and Natasha Angashanova. The house was mine since childhood. Barbie, Made in Italy, 1989
I recovered it with the technique of contemporary Kintsugi (plastic glitter glue), updated walls with with new textures. Vadim made the table. It literally penetrates the house. Natasha curated the idea and staged meme scenes with the characters.
I made furniture out of my ceramic sculptures. Added plastic, wool, slime, kinetic sand and floristic details. Vadim took care of the lighting inside the house with some led lights.
Performance at the opening.
Throughout the exhibition period viewers played with the dolls and on the last day it looked like this:
This exposition hall had no door. Take a look at how it looked before 2 years passed after the opening here.
