Group Shows
December 23, 2022 - January 15, 2023 - Okay, I'll think about it at Winzavod, START
April 14-22, 2022 - Art Weekend 2022
November 18, 2021 - December 25, 2021 - Triumph and crisis of personnel at Museum ART4
October 7-10, 2021 - When life gives you lemons, make lemonade by Scorcher Gallery at Barcelona Art Fair
September 2 - October 10, 2021 - Living Matter at New Tretyakov Gallery
July 1-4, 2021 - Myth or Reality?, WIP
March 25, 2021 - Homemade and Unsurveyed, Scorcher Gallery at Artplay
March 7 - April 18, 2021 - LOOKING AFTER THE EARTHLINGS at Zdes na Taganke
September 7-17, 2020 - rfywtkzhbz/канцелярия at 25kadr Gallery
July 10-16, 2020 - I have lost a trace of the world at Richter
March 28-29, 2020 - COVID-19 at Exhibition Lab Za_shkoloy
February 1-9, 2020 - Spring of Dream or Nightmare at ZIL Culture Centre
Solo Shows
2021 - Line on digital sand at Contemporary Work Gallery
2018 - Human Exclusion Gardens at Contemporary Work Gallery
Promduh video at New Tretyakov Gallery and on Moscow Public Art Fund screen in Moscow City.
Augmented reality, 3D, drone video. Link to video. Collaborative work at the New Normal Programme at Strelka Institute.
September 2 - October 10, 2021
To the point. 2020
Ceramic, wood, feather, acrylic, metal.
Between the lines. 2021
Glazed ceramic, wood, acrylic, nylon
'Future is no longer what it was', 2020
Glazed ceramic.
July 10-24, 2020
Я потерял след мира/I have lost a trace of the world
Group Show at Richter, Moscow, Russia
Curator: Irina Shulzhenko
Photo: Ivan Erofeev
'Matters', 2020
Glazed ceramic.
''Lil But', 2020
Glazed ceramic.
On the other side of the wall:
'Unidentified' at 90°, 2018-20
Acrylic, canvas.
'Bait Effect', 2020
Acrylic, canvas.
'SadEx', 2019
Acrylic, canvas.
'Box of issues', 2019
Fabric, ceramic. 28х18х15cm
'Unidentified', 2018-20
Аcrylic, canvas 90x70cm
'SadEx', 2019-20
Acrylic, canvas 50x70cm
'Eruption', 2019-20
Ceramic, acrylic, putty.
Dreamhouse
'Dreamhouse', 2020
Collaborative work with Vadim Mel and Natasha Angashanova. The house was mine since childhood. Barbie, Made in Italy, 1989
I recovered it with the technique of contemporary Kintsugi (plastic glitter glue), updated walls with with new textures. Vadim made the table. It literally penetrates the house. Natasha curated the idea and staged meme scenes with the characters.
I made furniture out of my ceramic sculptures. Added plastic, wool, slime, kinetic sand and floristic details. Vadim took care of the lighting inside the house with some led lights.
Performance at the opening.
Throughout the exhibition period viewers played with the dolls and on the last day it looked like this:
This exposition hall had no door. Take a look at how it looked before 2 years passed after the opening here.
Galleries:
